The chaotic, premature end of the third school year on the island had seen Arthur, along with the other bewildered and traumatized student survivors, unceremoniously dumped back onto the mainland like so much unwanted refuse. For him, it meant a grim, dispiriting return to the life he had briefly, miserably known before his forced return to the academy: the anonymity of the teeming city, the gnawing ache of poverty, and the soul-crushing, repetitive labour of a sprawling construction site on the urban fringe. The bitter irony wasn’t lost on him; he was now walking the same path of grueling menial toil, enduring the same casual cruelties from foremen and co-workers, that Kyouya Onodera had apparently walked before his own arrival on that cursed island. He endured the harsh, unforgiving conditions, the meagre, often insufficient pay that barely covered the rent for a shared, squalid room in a decaying lodging house, and the constant, wearying taunts from his fellow labourers who mocked his still-halting Japanese and his foreigner’s awkwardness. Each day was a fresh testament to his unwanted, unwelcome survival. His phone, his former lifeline to communication and understanding, had been confiscated during the island evacuation, leaving him to navigate this complex, indifferent world with only his painfully limited vocabulary and a profound, isolating sense of linguistic inadequacy.
Months bled into one another, a dreary, monotonous procession of exhausting physical labour and long, lonely nights spent staring at the cracked ceiling of his cramped room. He heard nothing of Nana, nothing of Michiru, nothing of Kyouya. The island, and the unspeakable horrors it held, began to feel like a distant, terrible fever dream, its sharp edges softened by time and the sheer, grinding drudgery of his current existence.
One particularly bleak, miserable evening in late autumn, as a cold, persistent, sleety rain lashed the city, relentlessly turning the streets into slick, reflecting rivers of neon and grime, Arthur trudged wearily away from the cacophonous, muddy construction site. His body ached with a bone-deep exhaustion, his spirit felt numb, hollowed out. He took a shortcut through a narrow, dimly lit, garbage-strewn alleyway, more to escape the biting, rain-laden wind than to save any appreciable time. And there, huddled in a recessed, darkened doorway, trying desperately to find some meagre shelter from the relentless downpour, was a figure he recognized instantly, despite her ragged, filthy clothes and the haunted, almost feral terror in her eyes. Nana Hiiragi.
She looked up with a start as he approached, her eyes – those once bright, violet, calculating eyes – widening in shocked, terrified recognition. She was thinner, almost skeletal, her once vibrant pink hair now lank, faded, and plastered to her skull by the rain, her face smudged with dirt and etched with a weariness that went far beyond mere physical exhaustion. She looked like a cornered, wounded animal, a desperate fugitive who had finally run out of places to hide. On top of a nearby overflowing, reeking rubbish bin, a scrawny, spectral white cat sat preternaturally still, its intelligent, luminous eyes fixed on them both, seemingly entirely unfazed by the driving rain or the charged atmosphere in the narrow alley.
“Tanaka-kun?” Nana whispered, her voice hoarse, cracked, barely audible above the drumming of the rain, disbelief warring with a flicker of raw, desperate fear, and perhaps, Arthur thought with a jolt, a tiny, almost imperceptible spark of desperate, unwelcome hope. She looked utterly broken. She began to stammer, incoherent words of regret, of apology for… for everything, her body trembling violently.
Arthur, his own weariness a heavy, sodden cloak upon his shoulders, cut her off, his voice flat, the English words falling like chips of ice in the damp, cold air. “Save it, Hiiragi. Just… save it.” He saw the last vestiges of fight, of defiance, go out of her. She sagged against the grimy, graffiti-covered wall, the rain plastering her thin clothes to her shivering frame.
“Tsuruoka,” he began, speaking slowly, deliberately, still in English, knowing she had some comprehension, and needing the precision of his own tongue for what he had to say. “Commander Tsuruoka… he killed your parents, Nana. Not you. He did.” He saw her flinch as if he had physically struck her, her eyes widening in stunned, uncomprehending horror. “He hired two Talented criminals to do the job, individuals with existing convictions, easily manipulated, easily controlled. They were likely… disposed of… after they’d served their purpose. Silenced. Standard Committee operating procedure.” Nana stared at him, her mouth agape, rain dripping from her chin, her breath catching in her throat. “Your parents,” Arthur continued, his voice relentless, a grim, emotionless recital of terrible truths. “They supported Talents. They were actively opposed to Tsuruoka’s ideology, his methods, his growing power within the Committee. He decided not only to eliminate them as a threat but, as the ultimate, monstrous act of revenge against their memory, to take their only daughter and twist her, mold her, into the very thing they fought against. It was so much easier to shape you, to control you, if you could be blamed for their horrific murders, wasn’t it? If you truly believed yourself a monster from the very start.” He saw the dawning, unutterable horror in her eyes as pieces of her shattered, manipulated past began to align with his brutal words. “You running to that police station, a terrified child clutching your own father’s severed head… the accusations, the recriminations you faced there… that was all part of Tsuruoka’s meticulous, diabolical plan. The reason you were shunted from one uncaring, abusive foster family to another. It was all designed to break you, to isolate you, to make you utterly pliable, to make you his perfect, unquestioning weapon.”
He paused, letting the crushing weight of his words sink into her already fractured psyche. “You could have asked more questions, Hiiragi,” he said, his voice softening almost imperceptibly, a hint of weary sorrow creeping in. “You could have done more research. Yes, many Talents are bad, dangerous, destructive. But it was never your place to be their judge, their jury, and their executioner.” He looked her directly in the eye, his gaze unwavering, trying to convey the full import of his next statement. “And Talents, Hiiragi,” he added, his voice dropping to a low, pointed near-whisper, “they don’t have a monopoly on doing bad things.” The implication that he knew she, Nana Hiiragi, the Committee’s most feared assassin of Talents, was herself entirely Talentless, hung heavy, unspoken but deafening, between them in the cold, rain-swept alley. “Now, perhaps, after everything, you finally understand the full, terrible extent of my ‘Talent.’ My ‘predictions.’ And believe me, Hiiragi, things are going to get much, much worse. For all of us.”
Nana, looking utterly numb, her face a mask of dawning, unbearable truth and profound, world-shattering despair, finally spoke, her voice a mere breath, almost lost in the relentless drumming of the rain. “I’ve seen them… Tanaka-kun. I’ve seen… the Enemies of Humanity.”
Arthur, who had almost turned to leave, to walk away from her and the vortex of pain and violence she represented, froze in his tracks. Her words, so quiet, so full of a new, specific terror, stopped him cold. He knew, with a sudden, sickening lurch, where this was heading, to the most bizarre, the most terrifying, the most inexplicable aspect of this twisted, nightmarish world. He turned back slowly to face her, the rain dripping from his hair, from the collar of his thin jacket. He struggled for a moment with his limited Japanese, then resorted to blunt English again. “Tsuruoka. He’s shown you, hasn’t he?” he asked, his voice grim. “Two of them, I’d wager. Two of those… monsters. And he told you that Talents don’t truly die when you kill them? That they just… change? That they turn into those things?” Nana, her eyes wide and haunted, brimming with a fresh, unspeakable horror, nodded slowly, a single tear tracing a path through the grime on her cheek.
“He was telling you the truth, Nana,” Arthur said, his voice heavy with a weariness that seemed to age him decades in that moment. “Up to a point, at least. My own… additional information… it may not be entirely precise, you understand. It’s… fragmented. But from what I’ve managed to piece together, from what I remember… when a person with a Talent reaches a certain point in their life – late teens, their twenties, sometimes as late as their forties, it varies – their Talent can undergo a kind of… profound, often terrifying metamorphosis. Think of it as… as puberty, but with new, often unstable, uncontrollable superpowers. A secondary, more monstrous blossoming.” He saw the flicker of horrified understanding in her eyes. “Unfortunately, from what I know, it’s not long after that stage, that secondary manifestation, that they can… they can transform. Become those creatures Tsuruoka so proudly, so callously, displayed for you. The process, I believe, can also happen, perhaps even accelerate, if a Talent appears to be dead to our eyes, like Etsuko, the girl he showed you in that body bag. Their essence, their Talent, it just… festers, corrupts, transforms.”
He saw the recognition of Etsuko’s name, the confirmation of her own terrible experience in Tsuruoka’s charnel house, reflected in Nana’s horrified gaze. “I don’t know what the Committee’s ultimate, endgame plan is, Nana,” Arthur admitted, running a hand through his wet hair. “I truly don’t. But I strongly suspect Tsuruoka will use – or perhaps already is using – these so-called ‘Enemies of Humanity’ as a potent, terrifying tool. Maybe, just maybe, it’s to keep the current Japanese government in power, by presenting these monsters as a constant, existential threat that only he, and the Committee, can manage, can protect them from. Or, and this seems far more likely given his megalomania, once he’s successfully eliminated all other Talents he deems problematic or uncontrollable, he’ll use these monsters, these transformed Talents, to try and take over the world himself.”
He looked at Nana, her face a canvas of shock, dawning comprehension, and utter, soul-crushing despair. “He played you, Nana,” he said, his voice softer now, almost gentle. “From the very beginning. He played us all.” With that, Arthur Ainsworth turned and began to walk away, his shoulders slumped, leaving Nana Hiiragi alone in the cold, dark, rain-lashed alley to absorb the full, crushing weight of his devastating revelations. As he reached the grimy, graffiti-scarred end of the alley, he glanced back, a brief, almost involuntary movement. Nana was slowly, unsteadily, pushing herself to her feet, a small, broken figure in the vast, uncaring city. The scrawny white cat, which had been watching their entire exchange with an unnerving, almost sentient stillness from its perch on the overflowing rubbish bin, hopped down with a silent, graceful leap and, with an almost imperceptible flick of its tail, began to follow Nana as she stumbled out of the alley and disappeared into the rainy, indifferent labyrinth of the darkened city streets. He knew, somehow, with a certainty that settled like a stone in his own weary heart, that their paths, his and Nana’s, were still destined to cross again. The island’s dark, insidious tendrils reached far, even into the deepest, most anonymous shadows of the sprawling mainland.