Part 9/12:
The critique highlights how Megan’s interactions with charities seem more driven by self-promotion than altruism. Reports indicate she has demanded her own photographers for charity shoots and has pressed for expensive revisions, creating an environment that can only be described as burdensome to the organizations involved. This pattern of demanding special treatment raises questions about her sincerity and motives, especially given her penchant for publicly mourning her own losses in highly staged ways, like posting black-and-white images of her stillborn child.