Part 7/10:
In an attempt to elevate his conversational stature, Maher drops the name of Clive Davis, a legendary record executive, to establish credibility and connection to Joel’s illustrious career. However, this attempt seems disconnected and ineffective, as Joel responds with acknowledgment but with a knowing look that indicates Maher might be overestimating the power of such references.
Further, Maher makes a dismissive remark about lyrics being more important to women, abuse of irony and misogyny evident in the statement. Joel, recognized for his lyrical genius, listens patiently and responds with quiet dignity, displaying a mastery of his craft and an unspoken assertion of his artistry.