Part 2/14:
The reviewer begins by expressing a desire to love Nolan’s work, citing his Dark Knight trilogy as a pinnacle of rich, politically conservative filmmaking that champions liberty and resists revolutionary ideals like communism and socialism. Nolan’s earlier films, such as Memento, Inception, Interstellar, and Dunkirk, are described as ambitious, visually stunning, and intellectually engaging—yet, the reviewer admits that none of these works quite reach the level of greatness of the trilogy.