Part 6/7:
Ultimately, Nolan’s Oppenheimer is not an art piece that simplifies human morality into clear-cut categories. Instead, it reveals that great art dwells in the gray areas—the wonder and tragedy of being human in a turbulent age. The film does not seek to declare what is right or wrong but invites viewers to consider the full spectrum of human experience, including the moral ambiguities that shape history and individual lives.