Part 7/11:
Alonso’s case exemplifies a broader ideological clash within Marvel and Disney at large. Critics argue that hiring activists like Alonso—who prioritize identity politics—hurts the quality of creative output. Since taking charge, her department was heavily criticized for subpar visual effects, which plagued Marvel’s recent productions. Many industry insiders have accused her of prioritizing social agendas over quality, leading to a decline in visual effects standards across Marvel’s extensive slate of projects.