First impressions, tiny subjects, and a little holiday magic
There’s something about getting a new macro lens that makes the world feel suddenly full of secrets. With the Samyang 100mm f/2.8 Macro finally mounted on my Fujifilm X-H2S, I spent the weekend roaming around the house like a curious scientist—peering into corners, opening the fridge for “artistic purposes,” and chasing down anything small enough to fill the frame.
First Feel: Pairing the Samyang with the X-H2S
The Samyang 100mm f/2.8 may be fully manual, but on the X-H2S that’s not a drawback—it’s more of a creative nudge. Focus peaking makes nailing focus surprisingly intuitive, and the longer focal length gives a nice working distance, especially for shy subjects or small scenes where you want strong compression.
And the bokeh? Smooth, creamy, and dramatic. Even mundane subjects suddenly feel cinematic.
Analog Film in the Fridge: A Macro Time Capsule
One of the first things I pointed the lens at was my stash of 35mm film chilling in the fridge—those colorful little canisters stacked like relics of another era. Macro adds an almost tactile feeling to the labels, scratches, dust, and the slight condensation on the plastic.
It’s funny how something so ordinary becomes visually nostalgic when you get close enough. The “grain-on-grain” pairing of analog film with a digital macro lens felt like a tiny, quiet tribute to photography itself.
Christmas Tree Details: Lights, Textures, and Glitter
The lens really came alive when I drifted toward the Christmas tree. Needles, ornaments, and fairy lights all behave differently under macro magnification. Some highlights stretch into soft bokeh orbs, others burst into miniature starbursts depending on angle and aperture.
Focusing on:
the texture of the pine needles
glitter embedded in ornaments
tiny light reflections on metal hooks
…felt like discovering an entire winter landscape hidden inside the branches. The X-H2S sensor handled the contrast beautifully, giving detail without blowing out the lights.
Fruit Close-Ups: Color and Imperfection
A bowl of fruit might not sound exciting, but up close, everything becomes a study in texture:
the matte surface of a plum
the pore patterns on an orange
the glossy skin of apples catching kitchen window light
Macro turns everyday produce into landscapes—craters, ridges, color gradients, tiny dents and scratches that usually go unnoticed. It’s also a good workout for learning the lens’s sharpness and sweet spots.
Final Thoughts After the First Shoot
The Samyang 100mm f/2.8 Macro on the Fujifilm X-H2S is a combination that rewards slowing down. It’s tactile, precise, and incredibly fun. From the retro charm of film rolls in the fridge to the holiday shimmer of the Christmas tree and the vibrant details of simple fruit, the lens makes the smallest scenes feel important.
I’ve only scratched the surface of what this setup can do, but if the first day is any indication, I’ll be spending a lot more time looking at the world from just a few centimeters away.
If you'd like, I can expand this into a longer article, add sample photo captions, or rewrite it in a more humorous, technical, or poetic tone.
Camera: Fujifilm X-H2s
Lens: Fujinon several lenses
Filter: none
Location: Switzerland
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This lens has a circular diaphragm with nine blades, which provides very interesting backgrounds.
It can also be used for portraits. I would like to see some examples of portraits.
You have some nice shorts here.